Creative & Conceptual

This experimental series explores the intersection between the human presence and still life through an unconventional medium: the flatbed scanner.

Working outside traditional photography, I used scanning technology to capture highly detailed, intimate images that blur the boundaries between portraiture and object study.
The project includes self-portraits and compositions with carefully selected objects—arranged over time to build layered visual narratives.
The scanner becomes both camera and canvas, revealing textures, distortions, and fragments that a lens would typically overlook.
This process invites slowness and physicality, as each scan captures not only form and light but also the subtle tension between movement and stillness.
By pressing my face and chosen objects directly against the scanner’s glass, I created images where flesh, fabric, and matter are flattened into abstraction, yet remain deeply personal.
The result is a collection of portraits that are at once tactile and ethereal—studies of light, presence, and the quiet symbolism of the objects we surround ourselves with.
This work reflects on identity, temporality, and the act of self-representation through a mechanical, almost clinical lens—transforming the mundane into something introspective and poetic.